WRITING
Selected Texts by Carolee Schneemann
In 1963 to use my body as an extension of my paintingconstructions was to challenge and threaten the psychic territorial power lines by which women were admitted to the Art Stud Club, so long as they behaved enough like the men.
Eye Body: 36 Transformative Actions for Camera, 1979
The texture of the work is contrapuntal. The movement is a set of object equivalences, consisting of three sorts
Chromelodeon (4th Concretion), 1963
By the year 2000, no young woman artist will meet the determined resistance and constant undermining which I endured as a student.
Women in the Year 2000, 1977
“Istory” has been my solution to the History/Herstory tug and pull. Whenever possible I use a neutral noun or pronoun instead of a specific gender
Istory Of A Girl Pornographer, 1974