Queer and Uncensored: Fuses at MoMA (Second Screening)

Film Screening

Salomé (1923, directed by Alla Nazimova) and Fuses (1965, directed by Carolee Schneemann) at part of "Queer and Uncensored" at MoMA, Floor T2/T1, The Roy and Niuta Titus Theater 2

Salomé. 1923. USA. Directed by Alla Nazimova. DCP. Silent. 74 min. With live piano accompaniment.

Legend has it that openly lesbian filmmaker Alla Nazimova assembled an all-queer cast for her highly stylized adaptation of Oscar Wilde’s play Salomé, in which she also starred. Genuinely avant-garde in design and performance, this tale of a “girl who is unafraid to kill and does it as a form of affection” is famed for the character’s “Dance of the Seven Veils” and demanding her love interest’s head on a platter.

Fuses. 1965. USA. Directed by Carolee Schneemann. 16mm. Silent. 23 min.

Of Fuses, critic B. Ruby Rich wrote, “Schneemann’s film … is devastatingly erotic, transcending the surfaces of sex to communicate its true spirit, its meaning as an activity for herself and, quite accurately, women in general.”

About "Queer and Uncensored":
Guest curators MM Serra, longtime head of Film-Maker’s Cooperative, and Erica Schreiner—both filmmakers themselves—write, “Since the inception of queer cinema, artists have faced censorship and invisibility, a challenge that persists today. Queer and Uncensored showcases a powerful selection of rarely seen, suppressed films that are crucial milestones in the evolution of queer filmmaking. Each program focuses on a topic that is relevant to the development and expansion of queer identity and its diversity. These films explore gender, race, class, sexual orientation, and the emergence of the epidemic.”

Cézanne, She Was a Great Painter, 1973
Venus Vectors, 1986 – 1988
Eye Body: 36 Transformative Actions for Camera, 1963
Meat Joy Collage, 1964